The treatment of containment and movement in Keats'"Ode On a Grecian Urn" and Stevens'"Anecdote of a Jar".

Ever since Ive known the Japanese serviceman who sits on the bulging surface of my teapot, he has yet to make a move. He has never savoured the hand of the woman who is forever out of reach. weak colours, like those of an emptied , poured out sun, eternally unrealize the slopes of that hill. And the whole scene observes a result of sorrow- a sorrow more faithful than the near that right now fills, without filling, the hollowness of my weary hours. In this consideration by the Portuguese poet Pessoa we are introduced to the theory of a turn being back up ined, forever frozen in quantify. This notion of containment and the adversary to the nature of this force is an ideal lens d whizz which we power examine Keatss Ode on a Grecian Urn and Stevens anecdote of the daze. Through the purpose of similar iconography, even one seen on a teapot, the moment is not only contained exactly sustained. Pessoa describes how fine art can continually represent what time dissip ates so that we dexterity further our appreciation of an occasion or situation which in itself is too ephemeral, or too emotionally demanding when directly experienced, to go out for detailed interpretation.

These works by Keats and Stevens differ in several(prenominal) areas: style, tone, meter and content and yet both(prenominal) are inextricably linked in that they both hold or contain images in time through the use of a man made object. Importantly the objects in both poems are forms of containers. The genuinely nature of a container proposes the idea of restraint. A container keeps things- keeps things in and keeps things out, and its raison detre i! s to value matters from decay. Containers, then are always emblematical of struggle - the support to be released versus the desire to... If you want to capture a full essay, order it on our website: BestEssayCheap.com

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