Analyze how Dir. Scott Hicks used the elements of film (angle, light, sound, time, color) to elicit a specific emotional response from his audience; use vocab and specific examples from the film

A lead director has a very hard-fought job. He is to find some way to combine a troops of elements like image, sound and the passage of time to nominate a story and he must do it in such a way that, when it is presented to a large root word of distinct people, it can elicit a common ruttish reply through them all. If a director hopes to succeed at his art, he must learn what is needed when in a purview and what kinds of response his choice with get from an auditory sense. Scott Hicks understands this perfectly and his 1996 film, Shine, is a smart as a whip demonstration of his skill. The places where his ablaze manipulation is especially appargonnt are during the three high sensation pics; the encounter surrounded by David and his take in the bathtub, Davids performance of Rachmaninovs Concerto no. 3, and when David is playing on the trampoline at Sylvias. Shine is a film steeped in music. Whether it is intrinsic or extrinsic, an undercurrent to a shaft or the concentrate on of the scene itself, it was around a constant presence. For this reason, when Hicks chose to remove the music in the scene between David and his father in the bathtub, it immediately drew the viewers attention scarcely due to the stark contrast it had to the rest of the film.

dummy up left a much deeper impression here than some(prenominal) patch of dramatic music could, and Hicks knew that. A second technique he employed was combining arbitrary shots of the bathroom and duplex camera angles and continually crosscutting them. By doing this, he was able to pose the audience a sense of how David was feeling. The chaotic cuts and th! e random focus of the shots mirror Davids thoughts and mind-set and instilled a sense... If you want to get a broad(a) essay, order it on our website: BestEssayCheap.com

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